The Right Buyer

When she saw the house from the road, Leslie Weiner groaned and stopped the car. She hadn’t driven up to this end of town for years. She was beginning to remember why.

The house was old. Parts of it were supposed to date back to the Civil War. But it was a strange structure, built in one era and added onto at two other times. The front part of the building was all brick, but the middle and rear sections were covered with white wood siding. At least, Leslie thought, it used to be white. Now it was more moldy green. The metal roof wore patches of rust, and it looked like the chimney was a few bricks shy of whole. It was hard to believe she had played here almost every day of her fifth year of life.

Leslie went down the driveway at a slow five miles per hour, trying to remember whether her grandmother had ever mended fences with Rita, who owned the home. If the women had not revived their friendship before her grandmother’s death last year, she thought she could be more blunt than if they had grown close again. But then she saw Rita’s pixie-like face staring at her over an unkempt garden hedge, and her mind changed all over again. How could she tell someone whose elfin ears crooked improbably away from her narrow skull that her house was worthless? She parked and got out of the car.

“Isn’t this the most wonderful old heap?” Rita came around the hedge with gardening shears tucked under one arm. She extended the opposite hand in greeting. A cat peered out from a depression under the untidy shrubbery.

“Oh, wasn’t that my secret hideout?!”

“Yes, yes!! You and that old tomcat used to go up under there for hours. Your grandmother would go out and look in on you, and you’d be drawing in the dirt or peeking back out at her like you were looking out a window.”

Leslie took the hand that Rita was still holding out to her. “I’d forgotten all about that old cat,” she said. “I used to talk to him like a person, and I had myself convinced he talked back. He’d be… he’d be close to twenty years old if he was still alive.”

“Oh he’s alive all right.” Rita squeezed Leslie’s hand. “Spends most of his time curled up in my front window these days. That’s one of his grandsons there.” She pointed over to the feline under the bushes.  “Come inside dear. I made us up some sun tea.”

The kitchen looked the same as it had in Leslie’s childhood, the careworn linoleum floors still patched with duct tape in the same places, and a bouquet of zinnias on the table.  She said, “It hasn’t changed a bit!”

Rita set her shears on the counter. “That’s an illusion, of course,” she said. “Everything changes. It’s just how we color the memories that makes things seem to match.”

“And you’re going to sell it.” Leslie heard sorrow creeping into her voice and shut her mouth quickly. What could possibly be sad for Leslie about Rita Collins moving into an apartment in town? What could be sad about earning a commission, even a small one, from the sale of a family friend’s home?

“Now.” Rita set out the tea and patted the table in invitation for Leslie to join her. “Let me go over the things I already talked with that stupid man about, so I don’t have to cover the same ground twice.” Before Leslie could say yay or nay or ask which stupid man Rita meant, Rita plunged on. “Now I know perfectly well that it would be more profitable to sell the property for the land value. Any repairs I make around here are going to be lost money. I’m doing it anyway, because I don’t want some young couple to come in here, mow down my gardens, and tear down my house. I’ll bankrupt myself to sell the place to the right buyer.”

Leslie said, “Oh.”

“Now that we’re clear on that, let’s discuss what needs to change.” Rita took a long drink of her tea.

Leslie tried to find a third perspective somewhere between her internal real estate agent who agreed with the stupid man, whatever he might have said, and her inner child, who suddenly didn’t want any of it changed at all. She rummaged in her briefcase and came out with a yellow legal pad. She numbered it one through ten, but the numbers didn’t give her any ideas. “Let’s do a walkthrough,” she said. “We should probably talk about this room by room.

They started in the kitchen with the patchwork floors and moved through the house. Leslie looked at the old Buck Stove. She crawled under counters to examine piping, and she clambered into the attic to examine outdated wiring. And when they had finished inside, they went to look at the outbuildings. Rita’s ancient Husky greeted them at the back door, its body ramrod straight, except for the tail that curved over its body. It bolted indoors around them, but as soon as it saw its owner going out, it joined them.

“What are you going to do with your animals?”

“Oh, they come with the house.”

“You aren’t…it doesn’t… I mean…”

“Don’t worry, dear. I just have to find the right buyer.”

Leslie took one look at the sagging barn and said, “You’re going to have to get a professional to do this part. I’m not sure how to save this.”

“Well that’s alright dear. Look at you, all dusty already, and the day’s completely gone by. You’ve given me plenty of ideas to work with. Come back in a couple of weeks, and I’ll show you what I’ve done with them.”

Exactly two weeks later, Leslie came back. This time, when she stopped in the road, it was for an entirely different reason. The house no longer appeared to be made of three parts. Now, it was a contiguous whole, mostly brick with a little vinyl siding in front. The bay window looked freshly installed, far more stable than the one she had seen before, and Rita had added a large transom above her front door. It was as though the entire building had moved up from the 19th century into the 1970s. The unruly hedge now abutted an orderly row of impossibly blooming roses, and the barn looked like it had never been sliding off to one side of its foundation.

“Pretty neat, isn’t it?” asked Rita when Leslie finally drove on in and got out of the car.

“I really don’t know what to say. How did you do it all in two weeks?”

“Oh, these are just the ideas, honey,” said Rita as she led Leslie into the kitchen. “It’s all illusion right now. I’ll have to hire a contractor to make it real. But I’m starting to think this isn’t modern enough. I’ve been driving around up in that new Baring Brook Subdivision, and I think people want more open spaces than I’ve got here. I’m still a good thirty years behind the times.” She cackled at the end of the sentence, as if she’d just told some joke that Leslie ought to understand.

Leslie nodded to all of it, but she barely heard a word after ‘illusion’. Her body had followed Rita indoors and taken a seat at the kitchen table, but her mind was back under the hedge twenty years ago, listening to her grandmother’s voice become quarrelsome and shrill. “What have you done with her! You come out, Leslie! Oh your mother will have my head child. Rita, where is she? I know you’ve done something to her.”

In the present, in the kitchen, Rita was running through the things she wanted to change to implement her next set of ideas. Leslie said, “Well you told her you hadn’t done a thing to me! And I came right out when she called.”

Rita stopped enumerating her list and smiled. “Yes,” she said. “But the mind colors things in its own hues, and in her memory, it took hours before you crawled out of your hiding place.”

The old cat, who had been sleeping in the big window got up and stretched while the women studied each other across the table. It hopped down from its spot and came to wind around Leslie’s legs. It said, “So sorry I slept through your last visit. I do that a lot lately, sleep.”

Leslie swallowed hard and tried not to let her amazement show. But was she really all that astounded? The memories tumbled over one another now, talking to the cat under the hedge, learning from him how to make those leaves and branches look like a playhouse that only she could see.

She didn’t think, now, that her grandmother and Rita had ever revived their friendship. She thought her grandmother had been wary of this end of town until her dying day. “What did you and my Nana quarrel about?” she asked.

Rita smiled. “You, of course, my dear. She didn’t like it a bit when I told her you were my natural heir.”

“But we aren’t related.”

“Oh no, dear. Witches rarely are. My gift didn’t pass to any of my girls. But then you walked into the yard and started chatting up old Parsifal here, and I knew exactly who you were.”

“I’m never going to be listing this house, am I?” Leslie reached down and collected Parsifal into her lap. Although older and not as meaty as he had once been, he was still a substantial cat. She stroked his back and he began to purr.

“Real Estate is a nice sideline for a witch, you know.” Rita added a little purring sound for Parsifal, or perhaps it was supposed to mean something to Leslie.

“You never planned to sell it, did you?” Leslie scratched under the cat’s left ear, exactly where he liked it. He amped up the rumbling in his chest and began kneading biscuits on Leslie’s leg.

“Well, not when I already had the perfect buyer right here,” said Rita, and she went to get them some tea.

________________________

The older home is my childhood home, where my mother still lives. She has made considerable changes, though none quite so drastic as Rita’s here. The more modern home is Scott’s and my first house in Lexington Kentucky. I MISS that house.

Stages of a relationship

Our relationships are delicate things, fragile and in need of constant repair. Put enough strain on love, and quite often, it breaks. If it doesn’t break, though, if, in fact, it survives, then it often collides directly with the next strain. Any of the situations described below could be used to describe The End for a couple. Of course, these situations could also highlight the ways in which humor can shelter a love through stress. But we would know nothing of that here, would we?

Dating

It’s not you, it’s me

_________________________

Marriage

It’s not me, it’s you

_________________________

Therapy

It’s not you, it’s us

_________________________

Kids

It’s not us, it’s them.

 

 

Ballet camp 2012

For the second consecutive year, my kids participated in the Montgomery ballet’s Fairy Tale Ballet Camp. It’s a compromise between doing summer lessons and skipping ballet over the summer, and it’s one Sam and Caroline both enjoy. It buys Scott and I a good measure of sanity, because Caroline’s age group meets three times a week (M-W-F from 9-12) and Sam’s meets twice a week (Tu.-Th. 9-12). Although it means having to have a kid up there every single day for three weeks, it also means a morning spent with only the other child at home all morning.

Also, they put on an adorable little performance at the end. Sam’s group did the music from A Midsummer Night’s Dream. The girls were Titania’s fairies. The boys were Oberon’s fairies. Proof that this is a ballet crowd? Not one parent batted an eyelash even though the ballet teacher hesitated over the word ‘fairies’ at the last second. There are now three boys who go to ballet, though only two attend the camp. I left off Thorin’s picture (and no, I didn’t just change his name; I think his parents and I would be good friends if we ever had time to sit and chat) and everybody else’s because I didn’t ask permission to post them. But look how serious Sam is. Other kids were grinning, either beaming or nervous-smiling. But Sam looked like this the whole time.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Caroline’s group did the doll’s dance from Coppelia, and they wore the costumes used by the polichenelles (aka polis)  in The Nutcracker. (Caroline’s current ambition in life is to stick with ballet long enough to get to be a poli). Caroline told me all about her part, how she was a doll and had to move like a robot because dolls have stiff hinges. She got to wear two buns on either side of her head, not ala Princess Leia, but more ala a Swiss Mountain Girl of yore.

 

 

See? When they aren’t trying to kill each other, Caroline and Sam really are best friends.

And so passes ballet camp for another year. This is the last year Caroline isn’t too old to participate, but Miss Keyana says she’s going to come up with something to do with the mid-range age girls. Something in between the level of a ballet camp and a summer intensive. Truly, I hope she does. Because Caroline is very sad at the thought of not getting to do this next year.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And then, at the end of her performance, before she would even let me get pictures, Caroline did this:

Edgy

“Dad, it’s time to stop edging.”

Rick was middle aged. Maybe forty five, perhaps even fifty. His father Andrew did not stop pushing the edger along the sidewalk, neatly partitioning grass from concrete.

“Dad, you need to turn off the machine.”

Andrew let go of the trigger, and silence descended to the street.

“Thank you!”

“Oh! Hello Rick! Good to see you.” Andrew eased himself down to hands and knees and used a stick to work loose a chunk stuck in the blade.

“Dad.” Rick pointed to the machine, “You need to put that away.”

“Don’t be ridiculous.” The old man used the handle for support and got back up. Then, he returned the edger to its groove. “I may not be strong enough to run the mower any longer, but I’m still perfectly capable of doing the smaller chores.” He fired the engine back to life.

“Jesus, Dad. You’re going to cut off your toes!” But his father kept moving forward. When the noise stopped again, Rick got in front. “Put it back in the garage!”

Andrew lifted the machine. “Son, get out of my way. I’ve been edging this yard since I had to do it by hand. I don’t think I’ve forgotten how it works.” He knocked another bit of sod out of its blade.

“No you haven’t.”

“Thank you.”

“No, I meant you haven’t been edging this yard that long.” The son shifted from foot to foot, his body blocking any forward motion.

“Now you see here. Your mother and I moved into this house in 1953, and I ought to know how long I’ve been taking care of my own yard.” The old man eyed the trigger, but he did not start it.

“Dad, this isn’t your yard.”

“Isn’t my…now you see here.” Andrew shook the shaft from side to side and thumped his machine back down again, dislodging more dirt and grass. “My mind is as solid as this sidewalk. Stronger.” He indicated a long crack running from yard to street. “I don’t have any of those in here. My old ticker may not be what it once was, but I know exactly what I am capable of. You won’t be taking away anything from me until I’m cold in the grave. I’d remember if I’d signed any of my powers of attorney over to you.” Now he did start the engine again, forcing his son to dance out of the way as he continued to create his organized little furrow.

When he stopped to clear the dirt again, his son said, “No, Dad. I’m not trying to take your house and freedom. I’m not even trying to take away that noisemaker.”

“Now whose mind is going? You just said as much.”

“No! I said it’s time to stop trimming . This isn’t your yard, Dad. Would you look up for half a minute? Your house is back there. You’re over on the neighbor’s property.”

The old man cocked his head, craned his neck, and squinted. “Well,” he said. “So I am. Howdy Mrs. Kennedy!” He waved to the woman peering out her front window. “Well, all right,” he said to his son. “Help me get this job done then. I can’t leave it half cut can I?”

“No,” said the son. “I don’t guess so.”

And so the father handed his son the edger and stood back. “As long as the work gets done,” he concluded, “I don’t guess it matters who does it in the end.”

We do things a little differently around here

With all the talk about the loss of paper journalism in New Orleans, I thought I’d take a moment to reflect on what my local newspaper meant to me growing up. If not for the Brown County Press, I would never have enjoyed such notices as this one:

This is a real notice Mom sent me last week. I actually screwed up and posted it in learning how to schedule my posts. It is completely independent of last weekend’s Trifextra prompt!  It is emblematic of some of my favorite clippings over the years, though nothing can surmount the joy of reading about a car-deer collision in which the deer fled the scene. There’s a touch of blunt straightforwardness, a touch of small town humor, and a touch of practicality in all notices like these. I’m sure others who live in small towns can produce their own such examples.

In this case, I’m left wondering what ‘other arrangements’ might be made. I rather doubt they were advantageous to the cow.

 

 

On Twitter

One would think that someone as twitful as my husband would love an organization like Twitter. I mean, it has his nature in the name. But no. Scott will never twit me on Twitter. And I have to say, my viewpoint isn’t so very different from his.

For him, there’s just no reason to type something you could as easily say.

I want to like Twitter. But for me, the problem is that I could not just as easily speak my tweets. Tweeting is, for me, the ultimate act of self-censorship. To contain myself to 140 characters, I must slice an idea down to its barest grains, and then break it again, until scant fragments remain. By the time I publish a tweet,  I have cut out its heart, opting to retain, instead, its vocal cords, which look less pretty. Or I must stretch it, spitting out one cell at a time, garbling through distortion a message that would otherwise be clear.

It’s not that I don’t like reading other people’s tweets. Some people actually can cram a lot into those 140 characters. But not me. I’m verbose. So if you don’t hear much from me on Twitter, don’t think I’m not paying attention. Odds are, I’m just lurking, scrambling to compact some thought before its relevance is lost forever.

Scriptic 24 hour challenge: Potted Plants

Potted Plants: A Play In One Scene

CHARACTERS

NATALIE SMITH (NATTY): 80 year old woman

GINA SCHULER: Natty’s 25 year old granddaughter.

MARLENE SCHULER: Gina’s 50 year old mother. Natty’s daughter.

FRANCINE DRAKE: Natty’s next door neighbor and attorney

LESLIE: Natty’s Neighbor

JEAN: Leslie’s teenage daughter

LESLIE and JEAN’S DOG

TIME

Late afternoon

SCENE

 

(A pair of rocking chairs flank the door on the back porch.

 There is a porch swing hanging at one end, and

a small table with four chairs are halfway between the

door and the other end of the porch. Three stairs lead

down, and the sidewalk runs the length of the stage.

Potted Geraniums line the edge of the porch.

Natty and Gina are watching the sidewalk)

NATTY

(rocking)

It’s your mother’s going to be the problem.

GINA

(gets out of her chair)

She doesn’t like to think about you not being here to do it is all.

NATTY

You think I do?

GINA

(walks to the porch swing and sits down)

Did I say that?

NATTY

Of course not. (beat) But you sure did think it awfully loud.

GINA

Natty.

NATTY

I haven’t got time for the pleasantries anymore, Gina Marie. I’m old.

GINA

(gets up and crosses to the plants, begins idly plucking off dead leaves as she echoes Natty.)

You’re old.

NATTY

I can’t stay in this house any longer.

GINA

You can’t stay in this house any longer.

NATTY

The place is falling down around my ears.

GINA

The place is falling down around your ears, and somebody has to take care of your house plants.

NATTY

And somebody has to – Hey, you sure do think loud, don’t you.

GINA

Not half as loud as you, Natty.

(Stage Left, Enter LESLIE walking her dog.

She proceeds across the stage, staying on the sidewalk.)

LESLIE

(pauses in front of the porch and waves)

Morning Natty.

NATTY

Oh, hiya! (lifts her glasses to squint under them) Uh, Jean.

LESLIE

Nope, it’s Leslie today. Jean will have walking duty again in the morning.

NATTY

(waves)

Oh, alright then. Have fun.

(EXIT LESLIE)

NATTY

Where was I?

GINA

(returns to her rocking chair)

Mama and the plants.

NATTY

That’s right. And figuring out I’ve already told you, probably twice.

GINA

You could go for three if you want.

NATTY

No, that’s alright. I’ll save my breath for the attorney.

(ENTER FRANCINE, Stage left

With a briefcase.)

 

FRANCINE

(hurrying up the sidewalk)

Sorry I’m late! I got tangled up with those dumb animals of mine. (climbs the stairs.) Well, never mind, I’m here now. (To Gina) Are you her witness? (crosses to the table)

GINA

(rises and helps NATTY out of her chair, then escorts her to the table)

Yes. I’m her granddaughter, Gina Schuler.

FRANCINE

(Shakes Gina’s hand)

Well, I’ll make this quick. (Pulls some papers out of her briefcase.)

NATTY

(Sits gingerly)

Yes. Quick is best. I’m running out of time for anything else.

(ENTER MARLENE, Stage left. Stands with

folded hands and downcast eyes.)

FRANCINE

(Hands NATTY and GINA pens. Reads:)

I Natalie Smith being of sound mind and decrepit body, do hereby bequeath all my worldly possessions

GINA

(picks up the speech. She and FRANCINE overlap by a single word, and there is no break.)

possessions to my daughter, Marlene Schuler. However, I leave my stamp collection

(MARLENE begins walking towards the house)

NATTY

(stands smoothly, overlaps two words with GINA, again, there is no break. As she speaks, she takes Gina’s hand for a moment, then turns and walks away from the table)

stamp collection to my granddaughter Gina Schuler, my considerable marbles to my great-grandson Tyler Schuler, and my Bible to that rat bastard Jay Eisley, should he ever show up to pay his child support and act like a real man. Furthermore, my potted plants, I bequeath to the

MARLENE

(mounting the steps, meets NATTY at the top of the steps. They clasp hands and lock eyes for their overlapped words, then NATTY continues down the stairs and across the sidewalk to EXIT, Stage right, and MARLENE crosses to assume NATTY’s chair at the table)

Furthermore, my potted plants, I bequeath to the Summit County Senior Citizens home, with one plant to be placed in a sunny place in each patient’s room. There are plenty if you get the ones from around back.

(FRANCINE, MARLENE, AND GINA clasp hands at the table and bow their heads)

(ENTER JEAN, stage left, walking her dog)

JEAN

(pauses in front of the house)

I’m really sorry about Mrs. Smith. Molly and I are really going to miss her on our walks.

MARLENE

(looks up and lets go of GINA and FRANCINE)

We’ll all miss Mama and her plants.

(EXIT JEAN and the dog, STAGE RIGHT)

(MARLENE, FRANCINE, and GINA all collect a potted plant and carry it off STAGE RIGHT)

MARLENE

(just before she EXITS)

I’d have watered them forever, Mama, if you’d let me.

(CURTAIN)

THE END

 

_______________________________

Please be kind. This one was written in 24 hours for the Scriptic Collective’s 24 hour prompt which instructed us to do something we didn’t normally blog about. Since I’ve had pictures and poetry on here recently, and I haven’t written any plays since I was 18 or 20, it was my obvious choice. BUT. I’ve written no plays in at least 15 years. So be kind.

 

Where It’s At

 

Club Aqua burned on a Tuesday, and by Wednesday morning, the DJ and bartender were celebrities. Val, the DJ, wasn’t pleased. “I didn’t do anything,” she protested.

But Larry the bartender disagreed. “Listen, that whole fucking ceiling was coming in, and you was standing out on the floor directing traffic just like you was calling a square dance or something. If you hadn’t had your shit together, those people would have flipped out and stampeded. We’d all be dead.”

“OK, I wasn’t the one carrying people out on my goddamned shoulders,” Val snapped. “All I did was tell people where to find the doors. You were picking them up off the floor and hauling them out the front.  That’s saving lives. You want to call me heroic, you might as well say it about the builder who put the exits in there in the first place, right?”

The interview aired on the evening news,  with the expletives appropriately censored. Channel eight even scored a fuzzy cell video taken in the midst of the exodus to air with “Husband and Wife Team Save Scores in Five Alarm Blaze”.

They wanted to compare it to Rhode Island’s fire at The Station in ‘03, when the band’s effects triggered a real burn and sent a hundred people to talk with the Almighty.  But after a few days, when the fire inspector ruled Club Aqua’s an electric fire, the news anchors all had to fall back to discussing the DJ and bartender and airing the grainy cell pictures.

The other difference from The Station fire, the one that really kept the whole thing in the limelight longer than was perhaps reasonable, was that nobody died. And that was probably what kept the focus on the two employees. The fire inspector said, “Fire burns up, and this started in the attic. There wouldn’t have been any problem for the people down below if the smoke detectors  and sprinklers had come on when they were supposed to.”

In fact, when smoke started filtering into the dance floor through the ducts, the sprinkler system and alarms did kick in. “And that’s what saved people,” said Val. “That and Larry pulling his shirt over his face and getting those women out of the bathroom.”

“I’m telling you,” Larry contradicted. “It was like Val cast a spell on them. The sprinklers came on, and it was just… an annoyance.” The pair was on national news, by that time, wearing somewhat cleaner clothes and using slightly better language. “She had on that Beck song, right before it started raining inside…”

Val gave Larry the title. “Where It’s At.”

“Yeah. And that’s like her song. She jumped out of that booth and started talking to us and she was where it was at, you know? The sprinklers was just irritating, and people was looking for ‘out’, but then this huge chunk of the ceiling fell down, and everybody screamed, but not Val. She said, ‘Larry, you check the toilets,’ and she sent the other employees to find people. And when her microphone went out, she just kept talking, until I had to pick her up and take her out on the third trip through. Like she got caught inside her own spell.”

“Stop it. I wasn’t caught in any spell. I was so scared, it was all I could do to keep from screaming. I kept thinking “two turn tables and a microphone” so I wouldn’t smell the smoke. And I kept talking because I was too scared I was going to scream and start the riot. I couldn’t move. If you hadn’t picked me up, I’d have died in there. Now how’s that for heroism? I couldn’t even move.” Val got out of her chair and just stood there in front of it until Larry reached up and tugged on her shirt. Then she sat back down. “I’m still having nightmares.” Larry put his arm over her shoulders, and she rubbed her face.

A week later, some amateur video editor combined that clip of Val rubbing the bridge of her nose on national television and the cell phone footage of the fire. He wiped out the sound and replaced it with Beck singing “Where It’s At”. It went viral, and after that, bars and clubs around the country wanted to hire Larry and Val the bartending DJ team. But nobody seemed to be able to find them. They just disappeared after that interview.

And the searchers didn’t look too hard. The Club Aqua fire was nearly a month old by then, and the public attention wandered. One of their old neighbors said they bought a boat and learned to sail. Another one said it was an RV. A third, a new age hippie type, said they were never real to begin with, that they were spirits who rose up when called upon and simply returned to their natural element when the need had passed.

But on the video, they didn’t look all that ethereal. They looked real, grimy in every setting, even when they cleaned up for the show, like the smoke sheen never left their skin. It looked as if they were more real, in fact, than everything else around them. During the fire, in all the interviews, they seemed as solid and muddy as the very earth.

For the Scriptic prompt exchange this week, Supermaren gave me this prompt: two turntables and a microphone.

I gave Liz Culver this prompt: Monday morning, the sun rose, the world turned, and my dog brought me a fleshy human hand from the creek.

An invigorating afternoon

Today was Caroline’s first volunteer day at the pound . We walked Mandy, who jumped on everything. With her, we practiced, “Off!” A wire terrier named Sammy hated being taken out. We couldn’t walk him. But we sat and held him, teaching him the big world might not be so bad. Then we walked Angelique who was anything but angelic. She practiced “No,” and “C’mere.” And also, she trained us on leash escape tactics. Finally, we went into the cat room, where we found out Booker hates to have his neck scratched. All in all, it was an invigorating afternoon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

_______________________________________________________________________________________________________________

This is my entry for Velvet Verbosity’s 100 word challenge this week. The word is invigorating! And holy HELL those pictures make my hands look larger than life!! Seriously. Those hands are twice as big as my real ones!!

Blue

Rachael crunched through the yard. A pinecone, crunch. Dead leaves, double crunch. Her feet on the ground sounded like her teeth when she bit into a ripe, crisp apple. When she tired of crunching, she decided to swing. Kick up, lean back; tuck feet, lean forward. It seemed backwards to her that she should lean back to move her body forward and lean forward to move her body back.  But her Daddy said life was backwards sometimes. She had tried to do it the other way, leaning forward to go up and back to go down, but she didn’t go much of anywhere.

Daddy had not called her for lunch yet, so Rachael went on swinging, and she sang a song.

I can’t get enough of this thing

My backwards-ackwards swing.

Daddy still had not called for lunch, so she dragged her feet until the swing stopped, then went inside without being asked. She went to the office and said, “Daddy, it’s time for lunch.”

“What? Oh. Sorry sweetie. I guess I lost track of the time.” Daddy came out looking sleepy and led them back to the kitchen.

Rachael climbed into her seat. “When will Mama and the baby be home?”

Daddy leaned against the fridge for a moment, then went on getting out the jelly. “Mama should be home tomorrow or the next day, sweetie.”

“Will she bring the baby with her?”

“No honey.” Daddy set the jelly on the counter and sat beside Rachel. “The baby died.”

“Ohh.” Rachael leaned into Daddy and put an arm around him. “Is that why you’re so blue?”

“Yes.”

“Is it one of those backwards things? Like my swing but not fun?”

“I guess so sweetie. I guess so.” Daddy hugged her back with with one arm, then both. They sat together at the table, holding onto each other,  holding back the blue.

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Come shed a tear with us at Trifecta this week, where all of us are blue. (Uh metaphorically. Not like, really. Or not all of us. That’s this week’s word, okay?)